Dave Alvin and Jimmie Dale Gilmore with The Guilty Ones

Dave Alvin and Jimmie Dale Gilmore with The Guilty Ones

On Sale Now!

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Friday, April 12, 2019
Gates 7:00PM | Starts 8:00PM
Tickets:
$49.50 – Rows A through F
$39.50 – Rows G through Q
$29.50 – All Remaining Rows

Website : http://www.davealvin.net/

Downey, California to Lubbock, Texas is a thousand-mile straight shot across the heart of the American West, with not much in between. The cities at each end of the line are one-time cow towns that grew into symmetrically-platted working-class communities with very little to interrupt the horizon plane, making for big empty canvasses that require a vivid imagination to fill in all that blank space. Dave Alvin from Downey and Jimmie Dale Gilmore from Lubbock have been filling canvasses with music of the American West for decades, coming from two very different directions.

The title track from Dave and Jimmie’s album Downey to Lubbock explains Alvin is a Strat-packing, wild blues Blaster, a nod to the roots rock band he formed with his brother Phil in 1978 before Dave peeled off to go his own way in 1986. He’s been part of the bands X, the Knitters, and the Flesh Eaters, tours relentlessly with his own band, the Guilty Ones, and continues apace on musical quests informed by his love of California and its history, and by Texas and the South, where most of the great music that was made in Los Angeles before and after the Second World War came from.

Gilmore is the old Flatlander from the Great High Plains, acknowledging his first group, the folk-country trio formed in Lubbock 1972 with Joe Ely and Butch Hancock who continue performing and recording today. In addition to the Flatlanders and an extended solo career, he has been part of several ensembles including the Hub City Movers and The Wronglers with Warren Hellman, who started the Hardly, Strictly Bluegrass Festival in San Francisco.

Alvin is a rowdy baritone. Gilmore, the timekeeper of the high lonesome, warbles. Each is an avatar, an authentic, original creator with a strong sense of place and music. That combination might seem like oil and water. But mixed together in the forms of these ten cover songs and two originals, including the autobiographical title track, this is powerful stuff.

The seed for Downey to Lubbock was planted a little more than a year ago while the two did a duet tour. They’d known each other as friends for more than thirty years, but had never collaborated musically. Playing live together triggered a whole new dynamic. “Everything on that tour worked out so well,” Gilmore said. “The music was fun. During sound check, Dave said, ‘You know, we need to record some of this stuff.’” And so they have.

The recording is a mutual admiration society. “Dave’s got a soulfulness and intelligence in his presentation along with something I really relate to, an anarchic streak that’s anything goes,” Gilmore said. “That’s what it is that’s so kindred about us. In every other way, our music is different from each other. We seem to have a common attitude. We like everything, from sweet ballads to raging blues and country stuff.” “It’s like we’ve been playing together since we were kids,” Dave Alvin said. “He’s got a lot of soul. Where sometimes I can be over the top, he brings a calmness, an ‘everything’s going to be all right’ effect, whether it will be or not.” Taking on all kinds of American music from the 1920s to the present is a very ambitious, very difficult feat to pull off. These two very particular, very peculiar, very not intellectual music makers make it a joy to behold.



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